Bands: Navicula, Geekssmile, Scared of Bums, Ripper Clown (Denpasar), Morfem (JKT), Iksan Skuter (JKT)

Teater Kini Berseri, Mural Komunitas Djamur – ISI Denpasar, Painting exhibition Made Bayak.

Free Entry!

PSP’s latest project is a short documentary about Bali’s waste problems and grassroots solutions titled ‘Greening the Island of the Gods’. The first screening will be held in Bali on Sunday, January 13, 2013 at Suly Resort in Mas, Ubud. The film screening will be followed by a Q&A session with the director Rebecca Sweetman.

Greening the Island of the Gods Film Screening
Date/time: Sunday, January 13, 2013 starts at 7pm
Location: Suly Resort, Jalan Raya Desa Mas, Ubud (directions to Suly Resort)
Notes: Free entry. RSVP on the Facebook event page.

Gembull Navicula meets an orangutan

Bali based band, Navicula has launched the start of their Borneo Tour (Kalimantan) as part of their orangutan conservation campaign by holding an acoustic concert in Medan, on 24 July 2012. The event titled “Road to Borneo Tour” is aimed to raise awareness about the issues surrounding deforestation, a threat to the endangered species in Sumatera, especially in the area of Tripa peatland in Aceh.

“The concert in Medan is a warm up before we tour Kalimantan this September. During preparations for our upcoming Borneo Tour, we have heard about many pressing issues affecting Sumatera, such as the conversion of the Tripa peatland forest, which is an orangutan habitat. With the support of organizations that are concerned about these environmental issues, we are able to arrive in Sumatera, and chose Medan as the city for the main event,” said Gede Robi Supriyanto, vocalist of Navicula writing from Bukit Lawang, North Sumatera, Friday (20/7).

Robi has travelled to Bukit Lawang to trek through the Gunung Leuser National Park. His trip through the rainforest is a chance for Robi to gain more experience and understanding, to better campaign for environmental issues through music. Navicula’s Road to Borneo Tour in Medan is supported by Yayasan Ekosistem Lestari (YEL), Sumateran Orangutan Conservation Programe (SOCP), PanEco, Sawit Watch, and Wahana Lingkungan Hidup Indonesia (Walhi) Sumut.

The concert will be held at Rama Gardenia Cafe on July 24, and Navicula, a band active since 1996, will perform an acoustic set. The event will also include an environmental discussion focused on saving the Tripa peatland, as well as a Sumatran orangutan and tiger photo exhibition by Mata Kamera Community of Medan.

Navicula, who has consistently been advocating for environmental issues will leave for a Borneo Tour in East and Central Kalimantan this coming September. The tour is themed around the critically endangered orangutan, facing extinction as a result of deforestation and the massive expansion of palm oil plantations.

Navicula’s Borneo Tour is paid for through crowdfunding projects on Kickstarter.com and Patungan.net. On kickstarter.com, Navicula launched a project with a funding goal of US$3,000, while on Patungan.net the funding goal was Rp.5 million. Both projects have exceeded their funding goal, and the project on Kickstarter.com is still running until 29 July 2012. As compensation for supporting their project, Navicula has offered digital download of their songs, t-shirts, CDs, traditional handicrafts, private gigs, and even a ticket to join the tour in Kalimantan.

“We’re really happy our Borneo Tour crowdfunding project has succeeded in gaining the interest of people who support our mission to use music as a media for environmental campaigns. This is also an example of how independent bands can hold a tour without funding from sponsors or promoters,” added Robi.

In December 2011, Navicula released the song Orangutan as a free download under a creative commons license. Vocalist of Navicula, Gede Robi Supriyanto, wrote the song Orangutan in April 2011. The track will be included on Navicula’s 7^th album, which is still in progress. The album will also include tracks such as Harimau! Harimau! (a tale of the last Sumatran Tiger) which is dedicated for the conservation of the Sumatran Tiger, of which only 400 exist in the wild due to habitat loss.

Navicula has been performing the song Orangutan live from stage to stage, and even on a popular music program on national TV. Since this exposure, many Navicula fans have requested that the band travel to perform the song live in their cities, including requests from fans in Kalimantan. “As a band from Bali, which is far from the center of the music industry, we are proud to be able to tour Kalimantan, one of the last remaining rainforests and habitat to the critically endangered orangutan, and perform the song Orangutan live there,” says Robi.

An International Campaign

The song Orangutan has made Navicula the winners of the International band competition Planetrox. Navicula will be travelling to Quebec, Canada to perform at the Envol et Macadam Festival on the 7-8 of September. “This is one way we can raise awareness about the plight of the orangutan on an International level. Environmental problems, whether in Kalimantan, Sumatera or Antarctica are the responsibility of everyone inhabiting this planet,” says Robi.

To participate in the Planetrox Competition, Navicula submitted the music video Orangutan, which was chosen as one of the semi-finalists. The 10 semi-finalists then competed in an online voting stage, from which 5 finalists competed in a live competition held in Bandung on 7 July. The jury chose Navicula as the winners to represent Indonesia in Canada.

Besides performing in Canada, Navicula is also in the running to record in Hollywood, USA. Out of 500 videos from 43 countries, Navicula has been chosen as one of the top 10 finalists for the RØDE Rock competition. If they win the online voting stage of the competition by 31 July 2012, Navicula will be flying to Hollywood, California to record three songs at the legendary Record Plant Studios. Navicula is currently in the lead for the online voting stage.

Name one song with an environmental message. There are a lot. Even one of Indonesia’s national music magazine’s (printed on paper from trees, of course) released one story covering 100 environmental songs in commemoration of Earth Day.

But what does the planet really need now, while facing degradation and destruction? A group of so called artists singing about nature, like the sounds of people celebrating in the desert?

Musicians who wish to touch our hearts and minds need to put in more effort than creating and producing songs, then performing them on stage. Especially in the context of fighting for our environment. Especially remembering our intense social media fever, where people feel accomplished just for being hashtag activists: then keep tweeting about an issue, but that’s all they do. While environmental degradation continues to systematically destroy our environment.

Last year saving orangutans was a popular topic. The hashtag #SaveOrangutans was used often on twitter. The trigger was the shocking news from a number of palm oil plantations in Kalimantan. They were promising a certain amount of money to workers who could kill and bring in orangutans, which are considered pests to the palm oil trees. How cruel. But the reality is that palm oil is considered more important as global resource than the continued existence of this large red ape which shares 97% of the same DNA as humans.

In December of 2011, Navicula released the song Orangutan as free online download. Other musicians, such as Shaggydog have also written songs about the critically endangered Orangutan. Robi Navicula – who has a twitter account, though rarely uses it – wrote the song Orangutan in April 2011. The song was written Navicula’s 7^th album which is in negotiations to be released in the United States. Besides the song Orangutan, this album also has songs like Harimau! Harimau! which is dedicated to the conservation of the remaining 400 Sumatran tigers, which are facing extinction due to habitat loss.

Navicula has been performing the song Orangutan live from stage to stage, and even on national TV stations. Since releasing the track, many fans have asked that Navicula come and tour in their city, especially in Kalimantan. Navicula hopes to bring this song live to Kalimantan, the last tropical rainforest on earth and habitat to the critically endangered orangutan.

Navicula may be considered ‘legendary’ and accomplished, their fan base is grassroots and dedicated, but this doesn’t necessarily mean they are financially successful. Planning an independent tour to Kalimantan may be more difficult for Navicula than recording a popular song. Seeking standard concert sponsor and promoters to fund a tour to Kalimantan may not be the right route for Navicula as they are not an ideal band for cigarette brands wanting to make bring in money through concert promotion.

Financial concerns have been the main factor preventing Navicula from touring Kalimantan. But there is still potential to fund the tour through Kickstarter.com, a platform for crowdfunding creative projects. Crowdfunding is a business phenomenon in the current economic recession which the United States is still recovering from and the bankruptcy of economies such as Greece. Massalution, a research firm dedicated to crowdfunding and crowdsourcing released their Crowdfunding Industry Report earlier this month. The firm collected data from over 170 (38 percent of the total) crowdfunding platforms.

Massalution discovered that throughout 2011, crowdfunding platforms have raised over 1.5 billion US dollars to fund around 1 million projects. These numbers are astounding. But before you start thinking about how much money your going to raise, you should know that not everyone can make a project that is interesting enough to get lots of people wanting to support it. All submitted projects also have to pass through a selection process, and be approved by the portal administrators. Navicula’s project, a Borneo Orangutan tour, has been approved by Kickstarter.com.

Navicula’s project will raise funds to tour East and Central Kalimantan through the target funding of 3000 US dollars, which needs to be raised within 45 days. As compensation for backers, Navicula is offering free song downloads, t-sirts, CDs, Kalimantan handicrafts, private home performances, and even an offer to join them on tour to Kalimantan.

Navicula is the first musician or band from Indonesia who has launched a project on Kickstarter. There have been a few projects on Kickstarter about Indonesian musicians, but the projects were actually by foreigners, not by the musicians themselves. For example a documentary film about one of Indonesia’s most influential punk collectives launched a Kickstarter project with a target goal of US$ 16,000 to be reached within 45 days, and successfully raised US$ 16,450. This project was a collaborative between 3 filmmakers hailing from America, China and Malaysia.

Kickstarter backers must have a US credit card. Of course, these makes it difficult for people in Indonesia to be involved in Kickstarter. Because of this, Navicula has launched a supporting project through Patungan.net, with a funding goal of 5 million rupiah.

And as if there is just not enough you can do for our red ape friends, Navicula has also chosen the song Orangutan to represent them in the International band competition Planetrox. The winning band will be invited to perform at Envol et Macadam in Quebec, Canada. Voting will continue until June 24^th, and 5 finalists will be selected to compete live in front of a jury in Bandung on July 8^th.

Navicula is the only one of the 10 finalists to submit a song in Indonesian. Other Indonesian bands may feel more confident submitting an English track to an International band competition, but Navicula feels their songs in their mother tongue are strong enough as is: Orangutan. It’s in the message, not the language.

Navicula invites you to join their acoustic show and launching of the Borneo Tour:
Saturday, June 16, 2012
Starts at 18.00
At Café Tjikini Jl Cikini Raya no 17 Jakarta Pusat
Performance by: Navicula, Adrian Adioetomo, Balian

Berkumpul, bermain, memanfaatkan barang bekas di taman. Mewujudkan imajinasi tentang sebuah kota.

Kardus-kardus dan kotak-kotak bekas makanan bisa ikut tampil dalam sebuah panggung taman hijau. Mereka memperkenalkan diri sebagai sebuah kota yang padat. Kota dalam taman.

Lalu bagaimana jika robot, monster, dan berbagai mainan ikut hadir? Entahlah.
Tapi yang pasti sebuah cerita dan peristiwa bisa terjadi.

Kegiatan ini bertolak dari ide yang sederhana. Errik Irwan Wibowo, seorang arsitek muda, saat sedang bercengkerama di Lapangan Puputan Renon melihat kardus-kardus dan kotak makanan yang mau dibuang. “Rasanya sayang betul. Lalu tiba-tiba saja muncul imajinasi seolah yang saya pandangi bukanlah dus-dus dan kotak-kotak tak berguna, tapi tumpukan bangunan,” kata Errik.

Errik mengatakan ada banyak benda terbuang lain yang masih bisa diberi kesempatan tampil di taman. Mereka didandani layaknya bangunan yang gemar bersolek. “Menarik juga kalau orang-orang tak dikenal, yang malu-malu tapi ikut terlibat mendandani dus-dus dan kotak itu,” kata Errik.

Kegiatan ini merupakan pengembangan dari apa yang terjadi pada Minggu (29/4) sore lalu di Lapangan Renon. Errik dan kawan-kawannya mengumpulkan sejumlah barang bekas dan semua orang diajak merespons barang-barang yang disajikan: tusuk sate, robot, piring kertas. Beberapa orang menggunakan cat air di atas lembaran kertas.

Semuanya terjadi tanpa penulis cerita dan sutradara. Entah apa skenarionya, tak jadi soal. Tanpa komando, orang merayakan ruang (dan waktu) terbuka. Merasakan jadi manusia yang manusiawi di kota. “Pasti sesuatu akan terjadi dan kita tinggal mengikuti,” kata Errik.

Errik dan kawan-kawan merencanakan aktivitas kedua, Minggu sore berikutnya di Lapangan Renon. Bagi partisipan diharapkan membawa bahan-bahan yang bisa digunakan untuk meramaikan suasana. “Bisa bawa dus-dus, boleh cat air, kertas lipat, alat musik, camilan, kamera, mainan, apa saja. Bagus juga kalau barang-barang tak terduga yang baru ditemukan di sekitar itu bisa ikut digunakan” kata ia.

Menurut Errik dalam kegiatan ini setiap orang akan merespons dengan caranya masing-masing. Mungkin akan ada yang bermusik, menari, bermain, atau membuat instalasi. “Silakan untuk menggambar atau menggunakan cat air di media kotak, lalu menata atau menempatkan. Ini seperti bermain dalam arsitektur atau susun massa,” kata Errik yang komik-komiknya sering menghiasi halaman akarumput.

Kota-kotaan dari kardus ini adalah sebuah peristiwa yang dibangun. “Harapannya akan ada orang-orang penasaran yang akhirnya kenalan, terlibat dan ikut berkreasi. Untuk yang sudah kenal bisa lebih akrab lagi. Selama proses itu bisa terjadi diskusi-diskusi menarik pula. Setidaknya ada hal aneh baru yang terjadi di lapangan itu. Kira-kira selesai ketika matahari menghilang,” kata Errik.

Sebuah ajakan yang menggoda. Mari rayakan kota dalam taman.
Waktu: Minggu, 6 Mei 2012 mulai pukul 15 WITA
Tempat: Lapangan Puputan Niti Mandala Renon. Berkumpul di Circle K depan Museum.
*Bawalah kardus bekas yang bisa diolah

Nafka – 2nd chance to be Better
Talks and responsible lifestyle products presentation

Sunday 22 April 2012 | 2-4pm
at Little Tree Green Building Center
Jl. Sunset Road No. 112x, Kuta – Bali

Presentation and discussion sessions:
1. Responsible lifestyle product ideas by NAFKA | Ayip
2. Financing creative and good projects by Patungan.net | Enrico Halim
3. The making of Wisnu Open Space | Made Suarnatha

Ecological Sustainability Solutions Week at Little Tree Bali
Date: April 16-22, 2012
Address: Jl. Sunset Road 112x, Kuta, Bali
Free entry!

Monday – April 16, 2012
14:00-15:00 – “Indonesia goes organic” presentation by Darsih
16:00-17:00 – “Waste management” presentation Paola (EcoBali)
17:00-18:00 – “Bali Urban Farming (BUF)” presentation by Akarumput

Tuesday – April 17, 2012
13:00-14:30 – Expert Discussion group about Energy
15:00-16:30 – Expert Discussion group about Water
17:00-18:30 – Expert Discussion group about Waste

Wednesday – April 18, 2012
13:00-14:00 – Sustainability in Architecture by Charlie Hearn
14:00-15:00 – Sustainability in Construction by Marcus Bishop
15:00-17:00 – Complementary Currency Systems, dealing with problems in times of monetary crisis
17:00-18:00 – Waste composting by Rodney

Thursday – April 19, 2012
9:00-12:00 – Towards a Sustainable Hospitality Industry
15:00-17:00 – WIKA presentations
17:00-18:00 – CLEAR (Comfortable Low Energy Architecture) presentation

Friday – April 20, 2012
9:00-12:00  – Towards a Sustainable Hospitality Industry
13:00-14:00 – Options of sewage treatment in urban development by Florence Gattin
14:00-15:00 – Big projects as agents of community development by Agus Mantik
15:00-17:00 – WIKA presentations
17:00-18:00 – Permaculture projects
18:00-19:00 – 1000 Billionaires wanted by Alan Bywaters

Saturday – April 21, 2012
10:00-18:00 – Creativity Innovation Workshop by ROLE Eco Learning Center

Sunday – April 22, 2012
9:00-12:00 – Mangrove planting for Earth Day
14:00-18:00 – Responsible Lifestyle Ideas by NAFKA

A designer’s job is to make sure that the model can be converted into a working prototype – a blue print for the manufacturer. However, it is in our nature to measure individuality. Since the 1980s designers have been injecting unique identity “chromosomes” into their products on an industry scale.

High-income earners – which are the industry target – fill the empty space of boredom in their lives by shopping. But possessing the exact same product as everyone else only creates a new kind of boredom. The era of uniform consumerism has ended. Mass products are now being challenged by truly individual designs. Yes, it’s pseudo individualism.

During the 1980s, the concern for environmental damage was no longer exclusive to environmentalists. The call to stop deforestation, environmental pollution, and the green house effect entered into popular culture. Terms such as Eco, Green, and Global Warming were often used, while at the same time the importance of the 3Rs (Reuse – Reduce – Recycle) became ever more apparent.

Recycling can sometimes be too expensive and requires a lot of energy. Which is why some people turn to upcycling, which means converting waste or unused materials into something useful, like the products developed by Freitag. In Bali, Nafka initiated a laboratory for creative designers focused on developing responsible lifestyle products. In June 2011, Nafka showed their first exhibit in Denpasar titled Wonderground. Nafka will once again be showing the creations of their designers at the Ecologically Sustainable Solutions Week on April 16–22, 2012 at Little Tree in Kuta, Bali.

To create designs out of used materials, Nafka designers focus on planning the shapes. Through the process, the used materials can offer unexpected visual surprises. It’s as if looking at a montage or photo collage by artists from the Dadaism era on products such as bags, sofas, room partitions and lamp shades, all made from reclaimed waste or used plastic wrappers. Cut up images, numbers or letters, a build up of colors.

Nafka products seem to fuse the line between art and craft in the shape of everyday accessories. Visually they are attractive. Nafka products are a refreshing surprise in the droll of everyday standard mass-produced products. Nafka products are truly one-of-a-kind.

The products may represent individual expression. But the production process is fueled by a passion for community movement and empowerment. Nafka outsources its production to local handicraft community groups. Handicraft producers, much like other traditional production workers, are marginalized in today’s modern economic distribution routes.

In modern sales systems, the middleman marketing the products can be a necessity. When the producer and consumer are too far apart and there is no access between them, the role of the marketer grows ever larger. The role of the middleman in sales is to dictate the price to maximize profits. The producer has little power to sell at a higher, or more profitable price.

This inequality in the marketing stage is only beneficial to the seller and too often exploits the producer. In Bali, these symptoms have long been visible in the industry, for example in the sales of art or crafts. Art shops in Bali have a very high profit margin, sometimes as high as 60 percent on the handicraft products they sell. By the time they are sold, these handicrafts can be expensive, but the amount the producers receive is too far below the selling price.

The partnerships Nafka builds with local handicraft producers follow fair trade standards. In this way they are supporting sustainability, not only the environmental aspects, but also the social aspects.

It takes hard work to follow the principles of fair trade while also successfully conducting business. To make sure the products are not just salable because they are “fair trade” and pulling on heart strings, but because they are of high quality.

If upcycling has it’s own attraction for consumers, could upcycle product hold special economic value? Anyone can take unused material around them and transform it into something new and useful. So, is there still a market for Nafka products? Here the idea of branding comes into play. A product will not just be valued in a utilitarian perspective or at face-value use. Urban residents want to communicate and declare their individuality in the midst of their lonely disoriented lives. Brands provide this.

Brands become a tool for interaction, a celebration of togetherness, even without having to communicate it. A brand is a message in itself.

The fifth BaliSpirit festival has concluded last week. Five days packed with offerings ranging from yoga and dance, to music and holistic medicine workshops, this year’s festival attracted the largest crowds yet in its history. Susan, yoga practitioner from the United States, sums up her experience of the festival: “There is a huge number of workshops, and so many amazing new things to try. But for me, the most important part was to meet so many like-minded people and to connect with the community.”

The international audience that flocked to Ubud to experience the BaliSpirit festival is part of an ever-growing international community of health- and environment-conscious yogis, musicians, and dancers. This year, BaliSpirit attracted more than 1,000 participants from the United States, India, South America, Australia, China, Japan, Western and Eastern Europe, and Africa. John Ogilvie, yoga presenter, festival sponsor and founder of Australia’s Byron Yoga Center, recognizes the galvanizing power of the festival: “There is an international community present at this festival. All of them will take ideas and inspiration from this festival back to their own communities.” In this way, global awareness relating to health and environmental issues grows. Spirituality, as Ogilvie points out, has to be practical. By building an international community, the maxim ‘Think Global, Act Local’ can become a reality.

The general atmosphere of the festival encouraged sharing and community, and presenters as much as the audience enjoyed the many new connections and shared experiences during the festival.  “To me, as a presenter, the festival felt playful and free and because we all join each other’s classes, Michael Hallock, Watsu teacher, explains. “Normally, as a presenter, I would be a ‘special’ person at an event, but here I was one of many. It was really humbling because I saw so much greatness around me, so much talent and creativity. I saw many people in the fullness of their expression. It was very inspiring and humbling.” Presenter John Ogilvie, who says he enjoyed the experience of switching roles from teacher to student when he joined workshops led by his world-renowned peers, shared this feeling.

Bali is an ideal location for the festival – the Balinese are natural yogis, who live their form of yoga on a daily basis. As devout Hindus, they perform offerings and ceremonies on a daily basis, and service to the community is the norm rather than the exception. Kadek Gunarta, co-founder of the festival, asserts, “We Balinese do yoga our whole lives. We do yoga every time we make an offering and every time we go to a temple. We are always trying to lift our consciousness.” It is this constant effort to maintain a connection to the unseen world that makes Bali such a magical and inspiring place for Western visitors. This atmosphere is amplified during the festival, as many workshops encourage participants to look inside, become more conscious, and open their hearts.  Or as self-proclaimed ‘badass’ yoga instructor Cheri Rae, from Peace and Love Yoga, Los Angeles, puts it: “You do yoga to become a better person. If you don’t – get out of my class and go do aerobics!”

In an effort to promote and include local presenters and audiences, this year, several Indonesian presenters added more local flavor to the festival. While the vast majority of yoga presenters were white Westerners, Indonesian presenters such as Jane Chen, Indrawati Widjanarko and Dewi Asmarani were welcome additions to this all-white line-up.  There is still some way to go, however, to make a truly inclusive festival, especially regarding the Indonesian audience. As a positive gesture, the festival offers one day with free access for everyone, and especially Balinese families, with special workshops organized for children, and yoga classes with Balinese village elders, amongst others. There is, however, no adjusted ticket price for Indonesian participants, which is reflected in the under-representation of Indonesians in the audience during the other four days of the festival.

Giving back to the community, as a yogic principle, is a major theme running through the festival, and is inspiring to Westerners who might be craving a deeper sense of community and connection in the materialistic and individualistic West. BaliSpirit festival might just be a small part of the growing movement of people seeking community and holistic lifestyles around the world, but its ripple effect through the inspiration it provides is larger than the festival. According to John Ogilvie, “If we can get enough people doing yoga around the world, it will be a better place” – a simple formula, which recognizes the capacity of the festival to inspire proactive change among its international guests.

One such ripple effect of the festival has been the inspiration it has provided for similar yoga and holistic health festivals that have developed around the world – such as the Namaste Spirit Festival held in Jakarta, the Byron Bay Spirit Festival in Australia and the Hawaii Spirit Festival. Founder and Chairwoman of Namaste Festival in Jakarta, Anita Boentarman, says that she was “inspired by the BaliSpirit Festival.” She further commented, “Yoga is not about competition, it’s about union and working together. We want to work more closely with the BaliSpirit Festival.”

One important aspect of the festival’s mission relates to the environment. BaliSpirit prides itself in its partnership with green organizations such as Bali Cantik Tanpa Plastik, Bali ReGreen and the Environmental Bamboo Foundation. It is also linked to the East Bali Poverty Project and donations collected on Hari Cinta Keluarga day are donated to Ayo! Kita Bicara HIV/AIDS, an NGO created by BaliSpirit to engage the local community in conversations and education about HIV & AIDS.

Pau Castellsague, yoga presenter and founder of the Barcelona Yoga Conference, insisted on the urgency for people to take positive action: “I feel a strong connection to nature here in Bali, it is very inspiring. But what we humans have done to nature is very sad. We suck! It is time to change. And I don’t mean it’s time for the intention to change. It’s too late for intentions. We need to make change happen, now.”

While the festival does take its responsibility for the environment seriously, as is exemplified in their waste recycling program and support of environmental organizations, it isn’t perfect. The presence of plastic spoons, chopsticks made from tropical forest wood, and a huge number of paper cups still mar the image of a fully environmentally friendly festival. The consciousness and will to limit the impact of the festival on the environment, however, is well present, and efforts to manage waste have constantly improved since the festival’s inception five years ago.

Overall, this year’s BaliSpirit festival was a successful and positive event, galvanizing an ever-growing community of people who crave positive change in the world. And besides this grand aspiration, it was also, simply, a lot of fun. With workshops ranging from many different styles of yoga, such as Hatha, Anusara, Yin, Vinyasa Flow, Ashtanga, Acro and Kundalini, and lots of dynamic dance workshops, including Nia, 5 Rhythms, and the hugely popular West African Dance, there were plenty of opportunities for both for self-reflection and growth, as well as for good, plain fun, exhilaration, and booty-shakes! And while the Festival united some of the world’s most experienced yoga instructors, the festival welcomed beginners and the simply curious too.

Yoga is for everyone, and yoga should be fun, as Cheri Rae’s words bring it to the point: “Yoga should feel good.” And this is what this festival was about, most of all – feel good, do good.

Featuring artist talk, stand up tragedy, and live music by Dialog Dini Hari.

Wednesday, 4 April 2012
Starts at 19.00 – end.
at Art Cafe Seminyak Bali
jalan saridewi 17 seminyak 80361
email: info@iloveartcafecom
phone: +62 361 736750